24 comments
  1. 沒有聽過她拉完整的,但這首歌 我第一次聽 是陳銳拉的、…. 他讓我愛死這首歌了 ~ 🙏😊🥰🥹🥺

  2. 🇸🇰 Rey nemá japonskú krv. Navyše dnešná Amerika vyrába iba lacnú show, kdežto Japonsko si potrpí na svojich kultúrnych tradíciách 🤗.
    Himari keď dospeje a bude v kategórii seniorov, obrazne povedané vyfliaska Reya s ktorúkoľvek skladbou. ✊

  3. Have you played this passage? It is so much fun. Quite like a standard exercise by Rode or Viotti, imported into a piece with so much Ernst or Paganini sizzling pyrotechnics throughout the rest of the concerto. That said, how about 2 13 year olds, Perlman at Galamian's Meadowmount program, and Himari, the same age, 13. One aspect the age doesn't capture– Lots of these super virtuosos have all their technique by 16, as Heifetz had when he debuted at Carnegie, declared the greatest living violinist. So, if you start at 3, you already have 10 years in a professional milieu. Attorneys, doctors, engineers, really start their professional study at college, so the age is not comparable to other professions. In fact, my former teacher Aaron Rosand used to envy how easy pieces like this were for him when he was 14, and how you feared competing with your younger un-self-conscious self, for whom it all came so naturally!

  4. 誰かが言ってた。
    天才な音楽家 (rayの様な) は居る。
    だが偉大な音楽家 (himariの様な)に成れる人は居ない。
    ってね。
    私には此の曲の意図は分からないが、激しさを感情のままに表現するRayより、激しさの中にも情緒が有るhimariの方が良いかな。

  5. I love himari though ray's seems way more passionate which I think himari lacks simply because of her age. Dont get me wrong himari is an insane violinist.

  6. У них стиль игры разный. Himari играет мягче, поэтому ее приятней слушать. А Ray слишком резкий и это портит впечатление.

  7. they're both fantastic, you even can't imagine how dificult that is, it is just pure respect for the ones that can do that. No hate to Ray! you can't play it so… Come talk when you can play it.

  8. ひまりさんの生演奏を聴いて驚いたのは、音がクリアということです。弦の歪むような音が全くなく、重音もクリアで美しいものでした。力任せという感じではないのも素晴らしいですね。これからが楽しみです。

  9. This piece was written by Wieniawski when he was 18! It's incredible that a modern genius is playing such a dramatic and magnificent piece by a genius. I'm so grateful to be able to hear it. Ray is powerful and passionate, while Himari is delicate and evocative…

  10. Ray Chen's variations of dynamics is crazy. Himari's is super clean. I like the crazier version. My vote is for Ray Chen.

  11. Himari is clear in tone, pitch, passages, and expression. I also like Ray's performance, but my preference is Himari.

    ひまりの音色、音程、フレーズ、表現は明瞭です。レイのパフォーマンスも好きですが、私の好みはひまりです。

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