The 19th International Fryderyk Chopin Piano Competition (final), 18.10.2025



18.10.2025

Sala Koncertowa Filharmonii Narodowej w Warszawie / Warsaw Philharmonic Concert Hall

XIX Międzynarodowy Konkurs Pianistyczny im. Fryderyka Chopina
Finał

The 19th International Fryderyk Chopin Piano Competition
Final Round

18.00 – 19.00
TIANYOU LI (Chiny / China)
https://www.chopincompetition.pl/en/competitors/720

fortepian / piano: Steinway & Sons

Polonez-Fantazja As-dur op. 61 / Polonaise-Fantasy in A flat major, Op. 61 [15:30]
Koncert e-moll op. 11 / Concerto in E minor, Op. 11
Allegro maestoso [31:35]
Romance. Larghetto [52:53]
Rondo. Vivace [1:03:29]

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19.00 – 20.00
ERIC LU (Stany Zjednoczone / United States)
https://www.chopincompetition.pl/en/competitors/841

fortepian / piano: Fazioli

Polonez-Fantazja As-dur op. 61 / Polonaise-Fantasy in A flat major, Op. 61 [1:24:40]
Koncert f-moll op. 21 / Concerto in F minor, Op. 21
Maestoso [1:41:38]
Larghetto [1:56:52]
Allegro vivace [2:05:58]

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20.00 – 20.20
przerwa / intermission
Chopin Talk [2:15:44]

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20.20 – 21.20
TIANYAO LYU (Chiny / China)
https://www.chopincompetition.pl/en/competitors/732

fortepian / piano: Fazioli

Polonez-Fantazja As-dur op. 61 / Polonaise-Fantasy in A flat major, Op. 61 [2:40:43]
Koncert e-moll op. 11 / Concerto in E minor, Op. 11
Allegro maestoso [2:56:35]
Romance. Larghetto [3:16:33]
Rondo. Vivace [3:25:54]

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21.20 – 22.20
VINCENT ONG (Malezja / Malaysia)
https://www.chopincompetition.pl/en/competitors/750

fortepian / piano: Shigeru Kawai

Polonez-Fantazja As-dur op. 61 / Polonaise-Fantasy in A flat major, Op. 61 [3:46:35]
Koncert e-moll op. 11 / Concerto in E minor, Op. 11
Allegro maestoso [4:01:40]
Romance. Larghetto [4:21:56]
Rondo. Vivace [4:31:47]

finalistom konkursu towarzyszy / the finalists in the competition will be accompanied by

ORKIESTRA SYMFONICZNA FILHARMONII NARODOWEJ / THE WARSAW PHILHARMONIC SYMPHONY ORCHESTRA
http://filharmonia.pl/en/o-nas/orkiestra

ANDRZEJ BOREYKO dyrygent / conductor
https://imgartists.com/roster/andrey-boreyko/

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https://chopinsurvey.nifc.pl

© Narodowy Instytut Fryderyka Chopina, 2025
https://nifc.pl

Oficjalna strona Konkursu/ The official Competition website:
https://chopincompetition.pl

45 comments
  1. Vincent’s tonality was incredibly beautiful, especially in the pianissimo passages. The instrumentalists, like the bassoon, played with joy rather than competing for volume. He was a true magician — bringing color and life to the entire orchestra, not merely a soloist with accompaniment.

  2. Vincent Ong. The performing arts, at their core, are something far too personal to be judged by externally imposed criteria. And yet, as someone who has played these pieces at a professional level, I can easily discern the technical level at which Vincent performs. I’m not referring to finger speed, but to the ability to produce different kinds of sound and blend them seamlessly into one fluid performance. What he does is truly, truly rare.

  3. 빈센트는 이제 곧 가와이 회사에서 최고 잘 만든 피아노 선물해 줄꺼고 행복해질 날만 남았네요!!

  4. Tianyao Lyu's performance was the most worthy for winning, not just her beautiful playing, but also how she showed so much love with everybody after the performance.❤

  5. Of all competitors in this session Vincent Ong managed best in bringing the virtuosic piano part to a satisfactory whole with the Orchestra. Bravo

  6. Vincentの持つ特別は、その音楽を、詩を紡ぐように、ピアノ演奏で伝えてくれるところ❤
    正に!ストーリーなのです♪
    魅力的な、展開に、すっかり魅了されています❤

  7. Vincent is far superior to the first competitor from china. His playing really has substance, he has the necessary technique and the profound musicality. He's 15, so he could make a very brilliant career. The e minor concert had the right tempo, often it's too slugghish. And Vincent was able to keep the pace throughout the concert. Bravo!

  8. This competition is clearly dominated by the emerging superpower. With a touch of Poland to gratify the nationalists. The best were brutally eliminated. Europe is selling out its soul and culture to the superpowers in exchange for military and trade agreements.

  9. やっぱりヴィンセントさんいい👏👏👏とても聴きやすい。自然にショパンの世界に連れて行ってもらえる。色々個性が目立つ方々がいますが、それはそのピアニストに注目してるだけであってショパンの音楽、音の表現となると別の事で。
    その中でヴィンセントさんは落ち着いていて優しくて温かくて深くてセンスが光ってる。

  10. Late joining the competition. Working my way through the finalists and up to Tianyao Lyu- she’s the best so far. First guy (Tianyou Li), nothing inspiring at all – eminently forgettable unfortunately. Second competitor Eric Lu? Better and he has some moments with beautiful tone, but fairly ho-hum like he’s being too careful and phoned in his performance. His tempo feels like it’s been slowed down to ensure an error-free performance rather than for musical reasons, at least nothing that’s compelling. A bit disappointing as I heard so much positive comments – perhaps he’s run out of gas? Tianyao Lyu? More like it with really beautiful moments of inspired playing but gosh I’m not a fan of her mannerisms and overall, barring some inspired moments it lacks propulsive weight and maturity. The Fazioli sounds spectacular though, as with Eric, it is Holographic, totally rich yet penetrating when you want it to sing. A lot nicer than the Steinway but we’ll see… Tianyao Lyu will mature like fine wine no doubt but this is a bit too Labubu for me. None of these 3 deserve to win, definitely not a competition that has introduced such amazing laureates over the years. Now on to Vincent…

  11. Ok now we’re talking – with Vincent, we finally get to someone who actually has an opinion that is well thought out musically and played with conviction. The best polonaise so far – one that hangs together as a musical painting on canvas and a concerto that can stand in its own and isn’t derivative “The standard E minor Concerto with a few personal touches” that the others seem to provide. Cons? His opening of the E minor was flubbed… twice. At this level, technical perfection is a given and mistakes can unfortunately be fatal. So it’s a pity, though he recovered and the rest was virtually flawless as expected. The third movt is a case in point – again played with conviction with a certain level of playfulness coupled with a certain blasé arrogance stemming from assured technical proficiency that captures Chopin’s intent well. However, while excellent overall, the performance doesn’t quite rise up to recent Asian competition winners (such as Seong Jin Cho or Yunchan Lim, though both are probably unfair comparison points).
    And no the SK isn’t quite up to the Fazioli, which is disappointing. A top-tier sound that has its own distinct character compared to the ubiquitous Steinway and Vincent has the best control and tonal subtlety of the four, but the SK doesn’t quite get to the level of the Fazioli.
    One final point… “Someone get this guy a piano” and a haircut, and a suit. For someone who plays that well, the presentation away from the piano is the equivalent of an antihero (anti-winner?). Hopefully that’s not going to count and it shouldn’t but Vincent needs a makeover…

  12. Miss Lyu completely understands Chopin's compositions:singing,dancing,
    and meditating on the piano; just natural and with almost superhuman skills on a overwhelming level!!!

  13. Doesn't matter who wins. They should pick from a bag with little papers. I would chose Vicent just for the Larghetto.

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